Jennilee Marigomen is 27 and lives in Vancouver, Canada.
MOSSLESS: Do you remember one of the first images you took where you realized that your work “investigates everyday urban phenomenon”?
JENNILEE MARIGOMEN: I was first drawn to that type of imagery when I took the photo “West End” (2008). I was supposed to meet some classmates at Stanley Park that day, and couldn’t find them, so I walked back home as dusk was approaching. Walking through the West End (a neighborhood in Downtown, Vancouver), I came across crepuscular light rays filtering through the branches of a tree and onto the wall of an apartment building. The stunning display of light and shadows wavered in the wind, and slowly faded in and out. I was completely engaged by this momentary image, even though it was just a simple occurrence that happened at the same time everyday.
ML: Do you see your own artistic style being translated into the work that you choose to exhibit in the projection shows you work on?
JM: I initiate projects that involve artists who’s work I feel a connection to - aesthetically, emotionally and personally. I love working with people who I feel have the same kind of creative intentions that I do.. kindred spirits.. and remain loyal to them as more projects come up. I guess it is a reflection of my aesthetic and creative values.
ML: Stream, which you co-curated with Andrew Laumann and Night Vision, are photograph projection shows. Is there a reason why this is the way you display the work?
JM: These kind of shows are a great way to show a wide range of photographic styles with little restrictions. A gallery shows as many images as there is room for, where as a projection show can show a vast amount of images, with time being it’s only real restraint. Stream featured 23 photographers and 400 of their images and Night Vision featured 56 photographers and about 800 of their images. More importantly though, I really love the idea that each image is completely ephemeral - showing for one moment in time, in that space, never to be shown in that way again. It makes every moment feel very precious, and in combination with live music, makes the experience very special and engrossing. The audience is very respectful and devotes their full attention to the show - kind of like watching a film. I sometimes get distracted during the socializing aspect of art openings and feel that watching a projection show can be a more poignant and tranquil experience.
ML: Best and worst Canadian stereotypes.
JM: Worst – I think that most Canadian stereotypes are kind of endearing actually! Best – All Canadians live in igloos. It’s true.
